A film by Errol Morris
In this
documentary, director Errol Morris weaves together stories of four men all with
very interesting career paths: Dave Hoover is a professional wild animal trainer,
George Mendonca is a topiary gardener, Rodney Brooks is a robot scientist, and
Ray Mendez is a specialist in the behavior of the naked mole rat. I would say
the film is a hybrid between expository and observational modes of documentary.
Morris uses a great technic where the men being interviewed are looking
straight into the camera. This makes the audience feel as though these men are
talking to them.
Throughout the film you are trying to figure out what these four
professionals have in common. In the beginning it seems as though they have
absolutely nothing in common however, as the film progresses the parallels
begin to emerge even though they are never actually stated within the film. In
one-way or another all four men work with animals. Though Dave Hoover and Rodney
Brooks don’t actually work with animals they work with things that replicate animal
nature or literally in nature. Mendez and Brooks study how the interaction of
individuals creates something larger than the whole. Hoover and Mendonca shape
nature into unnatural ways for the enjoyment of others.
The documentary is shot in an unusual style,
intercutting the interviews with b-roll of each man's profession, along with
clips of old movie serials and shots of the circus. The interviews are not
placed in a linear order. This allows the audience to see parallels. I don’t know if it was Morris’ goal but because of
the intercutting, I begin to forget who was who because it was almost as if they
the same person. Though they were talking about different things it sounded
like they were talking about the same thing and in a way they were. In his own way each man
reveals a little bit about life. They reveal this in either the subject of
their obsessions, or in the way they pursue them. This I feel reflects on
Morris himself.
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